Book cover for “Everyone in This Room Will Someday Be Dead: A Novel” by Emily Austin, featuring a playful pale yellow background scattered with leaping silhouette rabbits in vibrant colors like yellow, red, blue, pink, and cyan, evoking whimsy amid themes of mortality. The handwritten black title curves across the center, with the author's name at the bottom. A red quote at the top praises: "“Introducing the bumbling, anxious, helplessly kindhearted heroine we all need right now.” —Courtney Maum."

Everyone In This Room Will Someday Be Dead

by Emily Austin This story explores themes of grief, mental illness, executive dysfunction, and religiosity. We follow our main character, Gilda, as she desperately seeks mental healthcare from apathetic practitioners. An advertisement for free therapy leads her to a catholic church where she is inadvertently employed as a secretary. She successfully (and miserably) hides her identity […]

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Book cover for Wellness: A Novel by Nathan Hill. Bold, 3D yellow-and-black "WELLNESS" title dominates a teal background, with the author's name in matching style below. A large red inverted triangle centers a small photo of an embracing couple, alongside an "Oprah's Book Club 2023" badge and handwritten notes "a novel" and "Author of The Nix."

Wellness

by Nathan Hill This title is essentially a love story, but also the story of modern marriage and the current obsession with health, pursuit of personal happiness, and how our beliefs shape experienced reality. Jack and Elizabeth meet as young college students involved in the early 90’s art scene (a lot of super relatable places

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Book cover of the novel The Wren, The Wren by Anne Enright. The design features a solid teal background with the title in large bold black lowercase letters at the top, the author's name in similar styling at the bottom, and a stylized colorful wren (in gradients of purple, blue, and pink with textured detailing) perched on a curved branch in the center. Smaller text reads 'WINNER OF THE BOOKER PRIZE' and 'A NOVEL'.

The Wren, The Wren

by Anne Enright This title is beautifully written. A mother and granddaughter struggle to reconcile the gorgeous poetry and international renown of their father/grandfather with his abuse and abandonment of the family. Alternating chapters told from the perspective of the granddaughter and mother, sandwiching a chapter told from the poet from his boyhood. The book

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Book cover of 'Disobedient Women' by Sarah Stankorb. The design features a textured white background with a large diagonal tear revealing a vibrant pink layer underneath. The title 'Disobedient Women' spans the tear in bold black and yellow lettering, with 'Dis-' in yellow script on the pink section. The subtitle in yellow text on pink reads: 'How a Small Group of Faithful Women Exposed Abuse, Brought Down Powerful Pastors, and Ignited an Evangelical Reckoning.' The author's name appears in black at the bottom.

Disobedient Women: How a Small Group of Faithful Women Exposed Abuse, Brought Down Powerful Pastors, and Ignited an Evangelical Reckoning

by Sarah Stankorb In Disobedient Women, Stankorb weaves her own story of familial abuse and resulting spiritual journey in between the stories of women that suffered extensive, life-long abuse at the hands of their respective churches. The book began to come to fruition upon Stankorb discovering online blogs and support groups of women detailing harrowing,

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Book cover for "How to Say Babylon: A Memoir" by Safiya Sinclair. The design features a green background with a black silhouette of a hand holding large yellow scissors, cutting a falling dreadlock. The title appears in bold white letters at the top, with a praise quote from Tara Westover ("Dazzling. Potent. Vital. A light shining on the path of self-deliverance.") in yellow above it. The author's name is in large white letters at the bottom, and a circular "Read with Jenna" badge with #ReadWithJenna is in the lower left. The imagery symbolizes liberation from constraint.

How to Say Babylon

by Safiya Sinclair Award-winning poet Safiya Sinclair writes of her childhood in Jamaica in a Rastafarian family.  Despite poverty and being part of a despised minority religion, Sinclair remembers a vivid, joyful early childhood, until her father’s increasing paranoia, contempt for outsiders – known as “Babylon,” and control of his family grew unbearable.  A beautifully

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