Vibrant promotional artwork for Fabula Ultima tabletop RPG, rendered in anime-inspired cel-shaded style against a soft teal gradient sky. A diverse party of four heroes stands united: a silver-haired elf mage in a wide-brimmed hat and green robes holds a glowing book; a blue-clad female archer with twin tails draws her bow; a purple-robed rogue with purple hair wields dual daggers; and a armored knight in red-trimmed plate mail raises a cross-emblazoned shield. Golden starburst accents and swirling magical motifs frame the scene, with the ornate title "FABULA ULTIMA TTJRPG" emblazoned across the top in blue and gold lettering.

Fabula Ultima TTJRPG

by Emanuele Galletto For anyone who grew up with the old-school video game RPGs of yesteryear like Final Fantasy or Chrono Trigger and still have that twinge of nostalgia for those days, I cannot recommend Fabula Ultima enough as a way to bring back that legacy to your tabletop gaming experience. Calling itself as a […]

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Cover artwork for “Masks: A New Generation” (Playbook Edition) tabletop RPG by Brendan Conway, illustrated in vibrant comic book style. A diverse team of five teenage superheroes poses dynamically on a cracked urban street beside a sleek red convertible car under a twilight sky. From left: a green-skinned, reptilian boy in a black jacket leans forward aggressively; an East Asian girl in a dark purple hooded cloak with amethyst jewelry extends a glowing hand mysteriously; a Black boy in golden-orange armor with yellow accents stands heroically; a pink-haired girl with demon horns in a blue ninja outfit grins while perched on the car hood; and a boy in a sleek blue bodysuit with goggles draws an energy bow. The bold white title "MASKS A NEW GENERATION" arches across the top against a deep blue gradient background.

Masks: A New Generation

by Magpie Games No question is more terrifying to ask a tabletop gaming group than “what should we play next?”.  While some tabletop gamers might enjoy yet another round of their twenty-sided-comfort-food RPG Dungeons and Dragons (the latest edition now available at your local library!) I know that as the one who usually ends up

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Book cover for “Everyone in This Room Will Someday Be Dead: A Novel” by Emily Austin, featuring a playful pale yellow background scattered with leaping silhouette rabbits in vibrant colors like yellow, red, blue, pink, and cyan, evoking whimsy amid themes of mortality. The handwritten black title curves across the center, with the author's name at the bottom. A red quote at the top praises: "“Introducing the bumbling, anxious, helplessly kindhearted heroine we all need right now.” —Courtney Maum."

Everyone In This Room Will Someday Be Dead

by Emily Austin This story explores themes of grief, mental illness, executive dysfunction, and religiosity. We follow our main character, Gilda, as she desperately seeks mental healthcare from apathetic practitioners. An advertisement for free therapy leads her to a catholic church where she is inadvertently employed as a secretary. She successfully (and miserably) hides her identity

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Book cover for Wellness: A Novel by Nathan Hill. Bold, 3D yellow-and-black "WELLNESS" title dominates a teal background, with the author's name in matching style below. A large red inverted triangle centers a small photo of an embracing couple, alongside an "Oprah's Book Club 2023" badge and handwritten notes "a novel" and "Author of The Nix."

Wellness

by Nathan Hill This title is essentially a love story, but also the story of modern marriage and the current obsession with health, pursuit of personal happiness, and how our beliefs shape experienced reality. Jack and Elizabeth meet as young college students involved in the early 90’s art scene (a lot of super relatable places

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Book cover of the novel The Wren, The Wren by Anne Enright. The design features a solid teal background with the title in large bold black lowercase letters at the top, the author's name in similar styling at the bottom, and a stylized colorful wren (in gradients of purple, blue, and pink with textured detailing) perched on a curved branch in the center. Smaller text reads 'WINNER OF THE BOOKER PRIZE' and 'A NOVEL'.

The Wren, The Wren

by Anne Enright This title is beautifully written. A mother and granddaughter struggle to reconcile the gorgeous poetry and international renown of their father/grandfather with his abuse and abandonment of the family. Alternating chapters told from the perspective of the granddaughter and mother, sandwiching a chapter told from the poet from his boyhood. The book

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Book cover of 'Disobedient Women' by Sarah Stankorb. The design features a textured white background with a large diagonal tear revealing a vibrant pink layer underneath. The title 'Disobedient Women' spans the tear in bold black and yellow lettering, with 'Dis-' in yellow script on the pink section. The subtitle in yellow text on pink reads: 'How a Small Group of Faithful Women Exposed Abuse, Brought Down Powerful Pastors, and Ignited an Evangelical Reckoning.' The author's name appears in black at the bottom.

Disobedient Women: How a Small Group of Faithful Women Exposed Abuse, Brought Down Powerful Pastors, and Ignited an Evangelical Reckoning

by Sarah Stankorb In Disobedient Women, Stankorb weaves her own story of familial abuse and resulting spiritual journey in between the stories of women that suffered extensive, life-long abuse at the hands of their respective churches. The book began to come to fruition upon Stankorb discovering online blogs and support groups of women detailing harrowing,

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Book cover for "How to Say Babylon: A Memoir" by Safiya Sinclair. The design features a green background with a black silhouette of a hand holding large yellow scissors, cutting a falling dreadlock. The title appears in bold white letters at the top, with a praise quote from Tara Westover ("Dazzling. Potent. Vital. A light shining on the path of self-deliverance.") in yellow above it. The author's name is in large white letters at the bottom, and a circular "Read with Jenna" badge with #ReadWithJenna is in the lower left. The imagery symbolizes liberation from constraint.

How to Say Babylon

by Safiya Sinclair Award-winning poet Safiya Sinclair writes of her childhood in Jamaica in a Rastafarian family.  Despite poverty and being part of a despised minority religion, Sinclair remembers a vivid, joyful early childhood, until her father’s increasing paranoia, contempt for outsiders – known as “Babylon,” and control of his family grew unbearable.  A beautifully

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